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Design > Library > Textures : when placing a texture from the library, using it as a reference and having to MANDATORY rename it before actually placing it in the project, this would save 3 steps in the current process.

Capture Version : It would be very convenient to already see the information about the Capture version in the project overview, for example Capture Student 2025.1.3 next to the file information.

is it possible to use the vizkey capture on ipad and then recognised as visualizator in manet I have the viz key but for preprogramming capture need less resources on ipad so run 'better' than on a mac m1 Thanks _matteo

Hi. It would be neat if we also could have a button for grabbing the Fixture ID (Channel ID in Capture world) as the Martin P3 ID. For most cases, we wish to use the same number as the ID so it would same us a lot of time if we could copy it fast. Martin P3 is growing and adding this would further push Capture as the prefered choise ;) //Johan

Design > Layers > Colors – Automatic : Have an option to assign different colors to multiple selected layers. I suggest using the current palette levels: all lighter, all between light and standard RGB, and darker.

Export Focus Sheets : allow to view rulers.

Hello, could you please add taf tt34-300l and tt44-400al

hello capture library ,i wanted to ask for OB Van Truck since we have vehicles in our library it would be nice to add the ob van since we use it almost in every project and include it on the general plan of the project

Hello  Following up on the question I asked during yesterday’s webcast (06/18/25) about “assigning sequence by location”... Just as we already have the ability to assign sequences by Label, Circuit, Patch, and Channel, I believe it would also be useful to have the option to assign sequences by Location. Here’s an example of where this feature would be applied: when working on a theater project that includes many lighting and set design bars (bars, not Truss structures). It would be much f...

Design > Layers > Colors – screen x paper : Typically, we'll use lighter colors in the wireframe for what we want to be more visible and darker colors for what doesn't need to be as visible. For paper, it's exactly the opposite. I suggest selecting a color already applied to screen or paper and applying its lighter or darker counterpart in the other setting.